Nudes in Modern Life: Theatre Actors to Cam Girls

For their craft and to generate attention for the box office, performers are strutting their stuff more than ever.

The Blue Room, a two-character comedy directed by David Hare and starring Nicole Kidman and Iain Glen, a renowned London duo, is undoubtedly the most well-known example. In the second act, Glen strips off, even performing a cartwheel in the buff, but Kidman's nudity has garnered the most attention. 

The Blue Room, essentially sold out for its brief run, allegedly sold $3 million worth of tickets even before it debuted on December 13. Sales are allegedly getting closer to $4 million presently.

However, half a dozen other shows provide at least a peek of the human form if you're in New York, irritated at not being able to obtain Blue Room ducats, and yet need to see bare flesh on the boards.

The most notable is Paul Rudnick's most recent comedy, The Most Fabulous Story Ever Told, which transfers from New York Theatre Workshop to the Minetta Lane Theatre on January 29. The drama draws its lead from right-wing, anti-gay campaigners who emphasize that Adam and Eve, not Adam and Steve, are the Biblical protagonists. As we have been informed... Since the first few scenes in Fabulous Story take place in Eden, Adam and Steve are frequently entirely nude, and they engage in sexual activity that is both explicit and funny. 

Swan Lake by Matthew Bourne has a brief moment of male nudity from a statue, although some swan costumes have duck tails.

In Tracy Letts' Killer Joe, an off-Broadway production that is darkly comedic, full-frontal male and female nudity is shown. 

Even though there isn't any genuine mooning in Fool Moon, the first act of Cabaret is endearingly emceed by Alan Cumming.

Kathleen Chalfant removes her hospital gown for Wit's tragic yet curiously heroic conclusion, which recently reopened at the Union Square Theatre Off-Broadway. Wit is a popular drama by Margaret Edson. The successful play Stop Kiss by the Public Theatre also uses nudity emotionally. In the comedy/drama by Diana Son, a neurotic young lady eventually accepts her nascent lesbianism after having to partially undress her companion, who uses a wheelchair (Sandra Oh), who had been battered in a homophobic attack. Also, early in the act, Oh takes off her clothes.

As he waits in vain for the airlines to find the missing suitcase carrying all his clothing for the song "Naked In Pittsburgh," the singer is left with the towel. The actor almost throws in the towel after the music, but not quite, which will make disappointed spectators upset.

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